Wardah Asad

Shaista is a self-taught artist who believes that an artist draws inspiration from beauty in human form and from expressions. Her canvases encapsulate women, nature’s most beautiful and complete creation and encaptures their great strength in tolerating pain with a smile. The pigeons or musical instruments such as a flute or sitar in her painting are symbolic of freedom of speech and a woman’s desire to be free. The jewelry on the women while giving the deception of beauty are actually symbolic of chains and restrains, which restrict them from being free.

The late Mohammad Kazim was a renowned painter, printmaker and calligrapher. Kazim gained popularity for his Indus Valley and Mohenjo-Daro series of artworks and his depictions of women from that era. He would mold the figures with his hands using mulmul cloth and handmade paper and vegetable dyes. The figures would almost protrude in a 3D effect while the colors would be textured in soft hues.

Naushad Alam’s artworks encapsulated the whirling dance of the dervish. His ability to transform his brush strokes to capture a spiritual devotee consumed in a journey of self-transformation embracing divine love , fulfillment and joy in devotion is truly commendable.