Abdullah Ali
Abdullah Ali was born, brought up and continues to live in Punjab, Pakistan. He is a naturally gifted self taught artist who has proved that lack of formal education and art training is secondary to talent. He adapts traditional elements to contemporary tastes seamlessly paying careful attention to detail.
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Naqsh Art represents a diverse roster of Pakistani artists
Shaista Momin
Shaista is a self-taught artist who believes that an artist draws inspiration from beauty in human form and from expressions. Her canvases encapsulate women, nature’s most beautiful and complete creation and encaptures their great strength in tolerating pain with a smile. The pigeons or musical instruments such as a flute or sitar in her painting are symbolic of freedom of speech and a woman’s desire to be free. The jewelry on the women while giving the deception of beauty are actually symbolic of chains and restrains, which restrict them from being free.



Awais Ahmed
An artist from Punjab, Pakistan, Awais Ahmed is treasure trove of talent. Developing his artistic talents Awais moved from watercolors and charcoal sketches to oil on canvas. His ‘Malang Series’ highlights impressive techniques in portrait art and he encaptures the Malang in movement swaying as a devotee. One can almost picture his turbaned Malangs sitting as a devotee at a shrine.


A.Q. Arif
A.Q. Arif is a distinguished Pakistani artist who effortlessly blends historical monuments, Islamic and Mughal era architecture, nature, landscapes, and human figures into breathtaking artworks. His paintings encapsulate earthy tones in the shades of dusk, the night sky and moonlight. Arif’s work explores a world, which blends reality and fantasy in perfect harmony. The artist’s seamless transition from watercolors and ink on paper to oil on canvas highlights his exceptional talent.



M.A. Bukhari
Mohammad Ali Bukhari is a renowned artist specializing in landscapes, calligraphy and abstract compositions. He attended the Karachi School of Art and during his training at the Albuman School of Arts in Rome, he seamlessly transitioned into impressionism. During a short association with the Late Ismail Gulgee, Bukhari adapted to the use of colors and strokes in a style

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